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Bump in the Night - Sci-Fi & Fantasy

A.A. Attanasio

posted by cake

If you’re looking for a new and semi-bizarre sci-fi/fantasy writer, A.A. Attanasio’s a good one. He writes everything from Arthurian legends to futuristic dramas. It’s all very well researched and he usually has a lot of psychology and sociology worked in, so it gives you ton to think about. Always interesting reads.

http://www.aaattanasio.com/

Apr 29, 2008

Chasing Inspiration

posted by megan m.

The blank page is the first and most essential obstacle any writer must face when giving birth to a successful story. One of the primary questions authors receive from fans and fellow writers alike, after all, is how they come up with their ideas in the first place. While there are as many different answers to that question as there are stories, there are a few basic methods that many writers share. Below are some of the sources of inspiration that famous authors have drawn on in the past that you can adapt for use in your own writing.

Shaping myths for the modern age. From the fauns of C.S. Lewis’ acclaimed Narnia series to the dæmons of Philip Pullman’s The Golden Compass, many popular science fiction and fantasy stories draw on heroes, monsters, and settings from mythology to color their pages. If the world you have invented for your story seems a bit empty, why not take a look at Greek and Roman legends for creatures that you can adapt as your own? Norse, African, and even Japanese myths are also full of unique characters for you to explore.

Keep your eyes open. Everywhere and everyone can be a potential source of inspiration. Most writers take up people watching as a default hobby. Not only can this help you generate ideas and gather quirky character traits that you might want to use in your future heroes or villains, it also allows you to develop a more intuitive understanding of how people communicate in subtle and overt ways, which can make dialogue flow much more naturally from your pen (or keyboard). If you see two people having a conversation, try and think of the most outrageous thing they could be talking about – this can be a good jumping off point for a story.

Ask “what if?” of the past and present. Good fantasy and science fiction writers challenge everything they see, continually changing the shape of the world in their mind’s eye. Pick one thing – anything, from time to gravity to public restrooms – and ask yourself what the world would be like if that thing was drastically different or didn’t exist at all. Or think about how the modern world would be affected if a historical event, such as the French Revolution or the asteroid impact that led to the extinction of the dinosaurs, had gone differently. What if wizards and centaurs had been involved in the Hundred Years War? Old “Twilight Zone” episodes are great examples of this technique!

Keep a journal. Ideas often come at the most inconvenient times. Keep a small journal where you can record dreams or ideas that come to you at school or any other time when you can’t sit down and write immediately.

Just start writing! Even if you feel like your creativity has been blocked by the mental equivalent of the Three Gorges Dam, it’s better to write something than give up all together. Ideas can be triggered by the strangest things, and even going through the motions of writing can sometimes help to stimulate your imagination. If you find yourself getting discouraged, just remember that as every blazing fire starts with a spark, so too does every great story begin with a small, often absurd thought.

Apr 11, 2008

It’s a dilemma nearly universal to writers of fantasy and science fiction, almost embarrassing in its seeming simplicity. Whether you are interested in developing a short story that unfolds on the red Martian plain or a novel length feature set in the mountains of a mystical world vastly different from our own, it is almost a guarantee that one of the most frustrating problems in front of you is not one of plot or imagination or imagery. No, the secret shame of fiction writers the world over is an inability to give their characters that most basic of elements: a name.

Desperate for a name that sounds engaging and exotic at the same time, many writers will turn to the numerous “fantasy name generators” on the internet for inspiration. I know that I myself have been guilty of this on more than one occasion. But before you resort to giving your hero’s loyal dog a name with more syllables than you have fingers, stop and take a deep breath.

Despite the common misconception, it is not unbreakable fantasy doctrine that you must give all of your characters, or at least the major players, names that are practically unpronounceable. In fact, I believe that this is one rule that should be broken as often as possible. One of the great powers inherent in fantasy and science fiction is their ability to bring magic to the seemingly mundane. Why bother with Schoockeng when Samuel or James could do just as well? A simpler name has the advantage of increased empathy on the part of the reader: if the character has my name or the name of someone I know, then he could be a person just like me, and maybe I could live his adventures, too! It also decreases confusion around the plot (was Oriogoli or Oruguli heir to the throne? or was that just the name of the city?). Remember, even though Harry Potter’s name is quite common in England, his story is anything but.

If you are adamant about giving your characters complex, exotic sounding names, try combining or altering words with meanings that say something about their personalities. Another idea is to look up an every day word or name in another language to give it an unusual spin (for example, “Star” in English becomes the more elegant “Estrella” in Spanish).

How do you think up names for your fantasy characters? Do you think it is better for a character to have a name that is unique or relatable?

Apr 11, 2008